My shoes are Japanese My trousers are English My hat is Russian But my heart is Hindustani
film lyric by Shailendra in POPULAR MUSIC: South Asia & the West, Vol. 7 No. 2, May 1988.
This creative online publication charts the conceptual and design development of blackBOX artwork doctoral project (DCA) by Tatiana Pentes, Academic Supervisor: Dr Devleena A/Director Centre for Transforming Cultures & co-supervisor Megan Heyward, Media Arts Production, Humanities & Social Sciences, University of Technology, Sydney, 2006. e-mail firstname.lastname@example.org
Tatiana Pentes & Eurydice Aroney, STRANGE CITIES CD-ROM, Sound Design Roi Huberman, Interface Design Glenn Remington, and Digital Cinematography/ Photography Geoffrey Weary, produced in association with the Australian Film Commission, Sydney, 2000.
Zhang Jimou, Shanghai Triad, [videorecording] = Yao a yao, yao dao wai po qiao / Shanghai Film Studio, Alpha-Films, UGC Images, and La Sept Cinema, [Culver City, CA] : Columbia TriStar Home Video, c2000.
Josef Von Sternberg (Director), The Shanghai Gesture, Arnold Pressburger Film/ Productions Inc, USA, 1941.
Josef Von Sternberg (Director), Shanghai Express, Paramount Pictures, 1932.
Orson Welles (Screenplay and Production), The Lady from Shanghai, [videorecording] / Imprint United States : RCA/Columbia Pictures Home Video, 1985.
Performance Text, MANGALA CHARAN (Odissi Dance) performed by Ileana Citaristi, Tom Mann Theatre, Surrey Hills, Sydney, Australia, 2003.
Performance Text, THE POWER OF THE FEMININE: PARALLEL PERFORMANCES: - Untitled: A Play in Three Acts written & directed by John Hughes, Three Dances by Nirmal Jena in Indian Odissi Style, Asian Music and Dance Festival 2002, The Studio, Sydney Opera House, Australia, 2002.
Performance Text, SHANGHAI CABARET, Rose Tang, Electronic & Temporal Arts, Sydney College of the Arts, University of Sydney, Australia, 1996. Geoffrey Weary (Writer,Director,Producer), Scenes From A Shanghai Hotel, sound/music Michael Bates, performance Tatiana Pentes, Rose, Tang, produced in association with the Australian Film Commission, 2005.
Performance Text, KRISNA SHABDAM (Kuchipudi Dance) performed by Padma Raman, Leichhardt Town Hall, Sydney, Australia, 1992.
Performance Text, KONARAK KANTHI (Odissi Dance) performed by Chitritta Mukerjee, The Performance Space, 1993.
Performance Text, SERGE ERMOLL & HIS MUSIC MASTERS, Riverlights Club, live recordings, Sans Souci, Sydney, 1978.
Performance Text, STRANIYE GARADNIYE (STRANGE CITIES), vinyl album, recordings, featuring Sergei Ermoll (Ermolaeff)- composition, piano, Mickey Kaye - Drums, and Sergei Korshoon - vocals, Sydney, 1982.
Performance Text, Old Shanghai Pop Tunes, various artists, Pathe Label, Shanghai, China, 1933.
Kay Ambrose (revised by Ram Gopal), Classical Dances and Costumes of India, Adam and Charles Black, London, 1983.
Archer, W.G, The Loves of Krishna: In Indian Painting & Poetry, George Allen & Unwin Ltd, London, 1957.
(Ed) Angelika Bammer, Displacements: Cultural Identities in Question, Indiana University Press, Bloomington & Indianapolis, 1994. Thomas Barthlein, "Mirrors of Transition": Conflicting Images of Society in Change from Popular Chinese Social Novels, 1908 to 1930", Modern China, Vol. 25, No. 2. (Apr., 1999), pp. 204-228.
Daniel Bertol & David Foell, Designing Digital Space: An architects guide to virtual reality, Wiley, 1997.
Homi K. Bhabha, Nation and Narration, Routledge, London, 1999.C.
Mackenzie Brown, The Triumph of the Goddess: the canonical models and theological visions of the Devi-Bhagavata Purana, State University of New York Press, 1990.
Robert Calasso, Ka, Vintage, Great Britain, 1998.
Brian Castro, Shanghai Dancing, Giramondo, Australia, 2003.
Miriam Bratu Hansen, "Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism", Film Quarterly, Vol. 54, No. 1. (Autumn, 2000), pp. 10-22.
Christian Henriot, Belles de Shanghai, Prostitution and sexuality in Shanghai : a social history, 1849-1949, translated by Noël Castelino, Cambridge, Cambridge University Press, 2001.
Bob Cotton, & Richard Oliver, Understanding Hypermedia 2.000: multimedia origins, internet futures, Phaidon Press, London, 1997.
Ananda Coomaraswamy & Gopala Kritnayya Duggirla (Trans.), The Mirror of Gesture: Being the Abhinaya Darpana of Nandikesuara, Manshiam Manoharlal, New Dehli, 1917; a shorter compendium to the Natya Sastra (Dramatic Science).
Ross Gibson, South of The West: Postcolonialism & the Narrative Construction of Australia, Indiana University Press, 1992.
Helen, Gilbert, Tseen Khoo & Jacqueline Lo, Diaspora: Negotiating Asian-Australia, Creative Arts review, Journal of Australian Studies & Australian Cultural History, University of Queensland Press, 2000.
Shakti Gupta, Vishnu and His Incarnations, Somaiya Publications PVT, Ltd, Bombay, 1974.
Stuart Hall, Gramscis relevance for the study of race and ethnicity, in David Morley and Kuan-Hsing Chen (Eds), Stuart Hall: Critical Dialogues in Cultural Studies, Routledge, London, 1996.
Gail Holst, Road to Remetika: music of a Greek sub-culture, songs of love, sorrow and hashish, Denise Harvey Publisher, Limni, Evia, Greece, 1994.
Marion Jacka, Broadband Media in Australia: Tales from the Frontier, Screen Industry, Culture and Policy Research Series, Australian Film Commission, 2001. Shelley Jackson work of hypertext fiction Patchwork Girl & internet site http://www.theineradicablestain.com
Morny Joy, “Feminism and the Self”, Theory & Psychology, 1993 Sage, Vol. 3 (3).
Mohar Khokar, Traditions of Classical Indian Dance, Clarion Books, New Dehli, 1984.
David R Kinsley, The Sword and the Flute: Kali and Krisna, Dark Visions of the Terrible and the sublime in Hindu Mythology, University of California Press, Berkley, 1975.
M. Korolenko, Writing for Multimedia, Integrated Media Group, ITP, Belmont, CA, 1997.
George Landow (Ed), Hypertext: The Convergence of Contemporary Critical Theory & Technology, John Hopkins University Press, Baltimore, 1993.
George Landow, Hypertext as Collage-Writing, in Peter Lunenfeld (Ed), The Digital Dialectic: New Essays on New Media, MIT Press, Massechussetts, 1999.
Linda Leung, Where Am I? Locating Self and Ethnicity on the World Wide Web, PhD Thesis, University of East London, May 2001.
El Lissittzky, THE BOOK: The Electro-Library, Topology of Typography, Merz, No. 4, Hanover, July 1923, in El Lissitzky: Life, Letters, Texts, Thames & Hudson, Great Britain, 1992.
William Luis, Dance Between Two Cultures, Nashville, Vanderbilt University Press, 1997.
Vladimir Mayakovsky, For The Voice (Index of poetry), in El Lissitzky: Life, Letters, Texts, Thames & Hudson, Great Britain, 1992.
Lev Manovich, New Media from Borges to HTML, New Media Reader, MIT Press, U.S.A, Fall 2002 – http://www.manovich.net
Lev Manovich, The Language of New Media, MIT Press, USA, Fall, 2000.
Michael B. Miller, Shanghai on the Metro: Spies, Intrigue, and the French between the Wars, University of California Press, Berkley, 1994.
Trinh T. Minh-ha, Outside In Inside Out, in Jim Pines & Paul Willemen (Eds), Questions of a Third Cinema, British Film Institute, London, 1989
G, Mitchell, Hindu Gods and Goddesses, Her Majesty’s Stationary Office, London, 1982.
Lynn Pan, SHANGHAI: A Century of Change in Photographs 1843-1949, Hai-Feng Publishing Co, Hong Kong, 1996.
Elias Petropoulos, Songs of the Greek Underworld: The Rembetika Tradition, (Translated by ed Emery), Saqi Books, London, 2000.
Adya Rangacharya (Trans.), Natya Sastra, Munshiram Manoharlal, New Dehli, 1996.
Edward W. Said, The World, The Text, and the Critic, Cambridge, Harvard University Press, 1983.
Edward W. Said, Orientalism, Penguin, Great Britain, 1978.
Dominic Stansberry, Labyrinths: The art of interactive writing & design – content development for new media, Wadsworth Publishing Company, 1998.
Lucy Suchman, "Embodied agencies at the Interface", Plans Situated Actions: The problem of human-machine communication, Centre for Science Studies, Department of Sociology, Lancaster University, Cambridge University Press, 2003.
Charles S. Swartz, (Editor), Understanding Digital Cinema : A Professional Handbook, Focal Press, Amsterdam, Boston, 2005.
Darren Tofts & M. McKeitch, Memory Trade: A Prehistory of Cyberspace, Sydney: Interface, 1998.
(Ed) Gillian Whitlock & David Carter, Images of Australia: An introductory reader to Australian studies, University of Queensland Press, 1992.
Yingjin Zhang, Cinema and Urban Culture in Shanghai, 1922-1943, Stanford University Press, California, USA, 1999.
Carole Zucker, "Some Observations on Sternberg and Dietrich", Cinema Journal, Vol. 19, No. 2 (Spring, 1980), pp. 17-24.
Nichlas Zurbrugg (Ed), Electronic Arts in Australia, CONTINUUM, The Australian Journal of Media & Culture, Vol. 8, No. 1, 1994.
Copyright Tatiana Pentes 2022 E email@example.com